Model Course Outline

Course outlines (MS Word) should be developed with sufficient detail to:

  1. Provide a guideline for the instructor (or a substitute) to conduct the course.
  2. Provide the universities with information to articulate the course.

A course outline differs from a syllabus.  The outline is the framework for the content of a course, listing the objectives and skills a student should be expected to attain as a result of completing the course.  The syllabus describes how the course is taught, listing the meeting times, instructor's office hours and contact information, assignments, grading structure, etc.

Syllabi can vary greatly from one instructor to the next -- academic freedom allows each instructor to teach his/her own way -- but the objectives and student outcomes must remain standard.  These objectives often serve as prerequisites for other courses.

Here is a model Trade Tech course outline, using the old format (credit: English faculty member Rashidah Shakir):

LOS ANGELES TRADE-TECHNICAL COLLEGE
COURSE OUTLINE (ASSOCIATE DEGREE CREDIT COURSE
)

 DEPARTMENT: Liberal Arts

SUBJECT NAME & NUMBER:  English 234

COURSE TITLE:   African-American Literature

UNITS:   3                                                 REPEATABILITY:  0

PREREQUISITE(s):  English 28

LECTURE,  3 hours; LABORATORY,  0 hours; OUT-OF-CLASS WORK,  6 hours

 COURSE DESCRIPTION:   (As it will appear in the Catalog):

This course surveys the literary, social and historical aspects of essays, novels, dramas, short stories, and poetry written by African-Americans.  Critical papers are required.

 REQUEST FOR ARTICULATION:                                 CURRICULA:  

(x ) Acceptable for credit, University of California
(x ) Acceptable for credit, California State
University and Colleges

(  ) Required in Occupational Major  
(  ) Optional in Occupational Major
(x ) Meets General Education Requirements
(x ) Elective
(x ) Other: meets English Major requirements
 

COURSE CLASSIFICATION:                                                      

(x) Baccalaureate only                                              
(  ) Occupational only
(  ) Non Degree Applicable                                                                                             

TEXTBOOK(S)  List all books and supplies appropriate for course:  

Author Title   Publisher Edition  
Worley & Perry African-American Lit: An Anthology  NTC/Contemporary  2nd - 1998
Lorraine Hansberry  A Raisin in the Sun Penguin  1986
Frederick Douglass Narrative of the life of F. Douglass Penguin 1990
Nella Larsen Passing Rutgers University Press 1992

MULTIPLE METHODS OF STUDENT EVALUATION    METHODS OF INSTRUCTION  

(x) Essay assignments or tests
(  ) Problem solving excesses 
(  ) Skills demonstrations 
(x) Tests and or quizzes 
(x) Homework 
(x) Term projects and/or lab report
(  ) Other: ______________  
(x) Lecture
(x) Class Discussion
(  ) Field Work
(  ) Laboratory Work
(x) A/V Materials
(  ) CAI  

 Report filed by (Instructor, date):

 APPROVED ______________________________      ____________________________________

                        Dept Head                        Date         Dean                                             Date

COURSE OBJECTIVES:

As a result of completing this course, students will have an understanding of or be able to apply the following principles and concepts:

Content Knowledge:

Composition:

Reading:

Critical Thinking:

APPROPRIATE READINGS:

Primary Text:

Worley & Perry African-American Lit: An Anthology  NTC/Contemporary  2nd - 1998

Supplementary Texts:

Lorraine Hansberry  A Raisin in the Sun Penguin  1986
Frederick Douglass Narrative of the life of F. Douglass Penguin 1990
Nella Larsen Passing Rutgers University Press 1992

APPROPRIATE WRITING ASSIGNMENTS, SYMBOLIC MANIPULATION, OR SKILLS DEMONSTRATION

Short critical essays will be written, oral presentations are required and one full-length reseARSCh paper analyzing a full-length book, essay or play, an historical period, or literary convention, technique or theme in African-American Literature will be required.

APPROPRIATE OUTSIDE-OF-CLASS ASSIGNMENTS:

Outside readings will be assigned, 2-3 critical essays and one reseARSCh paper are required, and the preparation of at least one oral presentation is required for completion of the course.

APPROPRIATE REQUIRED ASSIGNMENTS REQUIRING CRITICAL THINKING:

Every reading, writing and oral presentation assignment will require solid critical thinking skills.  Critical thinking will include the analyzing, critical evaluation and interpretation of reading material, video presentations and encouragement to illuminate each selection of prose and/or poetry.

OUTLINE OF COURSE CONTENT: (Total time 54 hours)          

TIME ALLOCATED                                                                     TOPIC/ACTIVITY       

3 hrs.

Introduction to African-American literature:  Study will include a brief historical survey of Africans in the making of America and American literature.  Students will define literature and review how it was born out of  the  A-A experience during significant eras in American history.  
6 hrs.


The Middle Passage: Spawning a New Culture: We will examine the writings of Charles Ball, Olaudah Equiano and Phillis Wheatley to examine the specific horrors of being stolen from Africa and transported to a new world.  Discussion and readings will analyze themes of miscegenation and cultural assimilation as complex factors in building this “New World.”
6 hrs.


The Slave Narrative: Includes an examination of texts that give first hand accounts of the everyday life of slaves.  From physical brutality to the Underground Railroad, The Life and Times of Frederick Douglass and excerpted writings of Linda Brent, Sojourner Truth and Booker T. Washington will be featured.
6 hrs.

Abolition and Reconstruction:  We will review the impact of writings by black and white abolitionists like William Lloyd Garrison and Frederick Douglass.  The post-Civil War writings of Lucy Delaney will evaluate life for African Americans after Emancipation.
9 hrs.




Double Jeopardy: The Effects of Gender and Race on Literature:  Section will examine the voice of Black women in literature.  It will focus specifically on the influence of such antebellum voices as Frances E.W. Harper and Sojourner Truth and their influence on other female voices (both black and white), such as Harriet Beecher Stowe, The Grimke Sisters, Zora Neale Hurston, Nella Larsen, and the contemporary voices of Alice Walker, Toni Morrison, Nikki Giovanni and Maya Angelou.  
9 hrs.




The Harlem Renaissance: 1920-1930:  Studies will evaluate how Black literature reached such prominence during this time when the work of black artists was for the first time considered “In Vogue” for the white literati.  Discussion will include how and why white literary patrons enthusiastically promoted the careers of Langston Hughes, Zora Neale Hurston, Claude McKay and James Weldon Johnson and how these writers influenced the American literary landscape.
6 hrs.


Black Power and Protest:  Includes analysis of prose and poetry as an effective channel for rebellion and protest.  Excerpts from The Confessions of Nat Turner, The Autobiography of Malcolm X, Richard Wright’s Native Son, Hansberry’s A Raisin in the Sun, and Ralph Ellison’s Invisible Man will be featured.
6 hrs.    



Black Popular Culture:  The Commercial Success of Black Artists and Writers Section will examine  domestic and global appeal of modern African-American writers.  Studies will include an examination of the  crossover success of African American literature (works of Terry Macmillan, Ernest Gaines, Gloria Naylor, and  Walter Mosely), from books to more influential media such as television and film.  
 
Final Examination: will be based on knowledge of literary terminology, significant dates and a demonstrated ability to put forth critical, detailed responses to essay and objective questions on course material.
 

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